BURMESTER PREISLISTE PDF

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burmester uelzenn – burmestter audio per ubrmester surround back burmestre phono ie paul burmester tst cd end burmester joockey club brumester preisliste. Burmester showed its C Concept—a huge aluminum-bodied loudspeaker with an MTM on the front panel and four side-mounted woofers. Dez. Size: 87 KB 19th Dec Grado | Size: KB 6th Dec Audia- Flight | Size: KB 28th Nov AVM | Size: 73 KB.

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Burmester review | What Hi-Fi?

And a joy to listen to: Refinement takes a notable step up and oreisliste sense of muscularity, particularly in bass frequencies, gets better. If you got it, flaunt it. There are good reasons why this speaker is so popular.

Dark and rich in timbre with superb power range weight and color, sweet treble, and outstanding transient response, the Akiras sounded exceptionally beautiful, exciting, and high in resolution. Such a sky-high price tag leads to massively high expectations when it comes to build, finish and performance.

A Best of Show contender, for sure. Driven by Vitus electronics and sourced by a Transrotor turntable, the RC7 MkII was absolutely superb on my Deano disc, producing the most fool-you realistic vocals of the show. Even a quick glance will tell you that — visually at least — the Burmesters are serious high-end audio bling.

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Our sample was fitted with an on-board digital-to-analogue converter, but other options include an presiliste line level input and moving-magnet or moving-coil phono stages.

Burmester showed its C Concept —a huge aluminum-bodied loudspeaker with an MTM on the front panel and four side-mounted woofers. This is a superb speaker from a company bumrester richly deserves distribution in the U. As well as its design, Burmester takes servicing seriously, too — as far as possible, it will maintain every unit it has made during its year history, and upgrades can usually be retro-fitted, too.

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Had the bass not been quite so boomy in this room the Preisloste Extremely open and boxless, it sounded seamless and alive on jazz quartet, in spite of the fact that it was using a DSP crossover and room correction. It sounds good too, delivering far greater dynamics and detail than our Apple Macbook can manage. The sound was beautiful. On a second visit, after the Magico team had given up on analog sources and switched over to digital, the speaker sounded much warmer and fuller in the power range on a viola da gamba recording, with enough body and color to make for a very attractive sound with plenty of air and ambience.

The Living Voice Vox Palladium and Vox Elysiana more-than-a-million-dollar system including electronics and wiring, which only goes to prove, to quote Roy Gregory who reviewed these gorgeous thingsthat life is no fairer in high-end audio than it is anywhere else. Still, this was quite a realistic presentation in spite of the weirdish imaging. But this year the presentation was better than that. The sound was very dark, sweet, and civilized with less of the usual Lansche discontinuity and sluggishness in the bass, though byrmester low end still lagged a bit on a gypsy music cut and was a bit one-note.

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However, it fell down on a James Taylor vocal, where it sounded ill-focused and badly sucked out at crossover. Still, that plasma tweeter was terrific. A truly great system. The system never sounds rushed or stressed: Extremely lifelike on voice burmestfr Ms. Nonetheless, this was the best I’ve heard Cessaro sound. All four voices were reproduced with warm, rich, lifelike presence and very little sense of an enclosure because of the remarkably three-dimensional projection of the quartet in front of the speakers and this with a digital source.

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For Intricate, powerful sound terrific dynamics and volume exceptional build.

These control minor operations such as the brightness of the display or preamp phase play with it — it makes a difference in some systemsbut each switch does more than one thing depending on whether you press down or push up. Even from the first second of music, the listener is well aware of a splendidly silky refinement and an ability to uncover the tiniest of details. In other words, rather than sound rough when cold, the Burmesters are a little polite, if massively informative. The little monitors did equally well with a jazz LP, producing lovely cymbals, superb sax, and well-defined standup bass.

Bass textures are rendered just as light a touch as subtle vocal inflections. There’s also a straight-through connection designed to be used with the front channel outputs of a surround processor, allowing the to be integrated into a home cinema system, no shortage of balanced XLR line level inputs, andf even twin headphone outputs. On the Stokowski Rhapsodies LP there was way too much bite on the strings, producing an orchestral sound that was unforgivably bright.

We wish more high-end firms had such an attitude.