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If you can play Message in a Bottleyou shouldn’t have a problem with the fingering. Roman numerals in parentheses are not original and are provided for convenience only. Volumes four to six have mixed content. He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music.

Changed beaming to match metrical changes. The collection begins with a preface, narvwez which the composer dedicates the work to his patron Francisco de los Cobos.

Guardame las vacas and Conde clarosboth in volume six. If you have trouble with the left-hand fingering for the scale run in measure 22, you’ll have to come up with an alternate fingering. I’ve retained the previous lws generated with Sibelius for those who want tablature or wish to compare Sibelius and LilyPond output. The third volume of the collection is dedicated exclusively to intabulations of works by other composers: The intabulations are of high quality, but without any particular distinguishing features.

There is some debate over whether the full composition consists of four or seven variations. By using this site, you agree to the Terms of Use and Privacy Policy.

Although still a transcription and arrangement for the guitar and not a literal vihuela tablature transcription, this version should be more readable and somewhat truer to the original vihuela tablature. The original right-hand fingering was rather unnatural. The second of the two songs is wrongly attributed to Gombert, it is a work of Jean Courtois. He was born in Granada and the earliest surviving references to him indicate that as early as he was a member of the household of Francisco de los Cobos y Molinaa well-known and very successful patron of the arts who was the Secretary of State and commentator for the kingdom of Castile under Charles V.


Actively Maintained LilyPond Output. It consists of a set of variations on a Spanish folk theme. The remaining music comprises villancicos, romances, and a Baxa de contrapunto.

The first two volumes contain fourteen polyphonic fantasias, modelled after Italian pieces of the same kind.

Guárdame las vacas by Luys de Narváez –

Changed some fingering in measures 30, 32, and 33 to match original tablature. Renotated using LilyPond, making some notational improvements along the way. They are characterized by smooth, competent imitative writing in two and three voices. My transcription allows you to play the song in the guitar’s normal tuning.

This page was last edited on 21 Augustat From Wikipedia, the free encyclopedia. As you can tell from the revision history below, I’ve made other changes over time, eventually reverting two instances where I had added extra notes to form chords to make a note sound fuller.

The new fingering uses the thumb more and is more playable. Confusion arises because the immediately following work in the original manuscript, Otras tres diferencias hechas por otra parteis not listed on the title page or index.


Luis de Narváez

In the process of retranscribing and renotating the piece using LilyPond, I made some changes to fingering. Today, quatro is spelled cuatro. Other than the guitar-specific fingerings including left-hand legatothe music the notes themselves should now match exactly the original tablature.

The new version matches more closely the original vihuela tablature by playing the gurdame in first position. Instead, the title page refers to siete diferencias de guarda me las vacas.

Reverted note additions to measures 30 and 33, leaving only notes occuring in original tablature.

Guárdame las vacas by Luys de Narváez

Views Read Edit View history. The most notable change is in measure 28, which I used to play with a fourth-position barre. Apart from melodic variations, there are also two sets on ostinato harmonies: As usual, fingerings are only suggestions; you may ignore them and choose your own.

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