The Lydian Chromatic Concept of Tonal Organization. George Russell’s book, The Lydian Chromatic Concept of Tonal Organization, first published in , was. Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . Lydian Chromatic Concept Theory basically asserts that the lydian scale is more [It] implies an evolution to higher levels of tonal organization.

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Unlike any other theory of music, Mr. At its essence, The Lydian Chromatic Concept of Tonal Organization creates a self-organized and infinite range of possibilities for us to master. It is the key of the music perhaps. His hard-cover book, the fourth edition can be ordered directly from Concept Publishing through Amazon.

These ideas are critical to understanding the significance of this theory, and are too involved and elaborate to post on this website.

Lydian Chromatic Concept:

I also believe that George Russell himself is somewhat responsible for the fact that so many people have the sense that the LCCTO is a system, because Russell presents his Concept in that way, in my opinion. The art and science of tonal gravity Fourth Second printing, corrected, ed. It took me hours to put the above together.

But everything that you need to know is in that chart already. Russell’s root scale follows the natural overtone series and runs from C to C with F sharp, rather than the customary F natural of the major scale.

This will require you to examine some basic lydiam about the meaning behind an organization of musical tones and why you play or write music. Russell believed that dominant function was the driving force behind all harmonic motion. This page was last edited on 30 Octoberat Microscopic photograph of a single snowflake. What is the Lydian Chromatic Concept?

It explains and justifies this reasoning through the overtone series, interval vectors, and what is described as tonal gravity. The Lydian Doncept was not chosen as the primary scale for this system of music theory because it sounds nice or has some subjective or historical significance. Are there any historical and acoustical foundations underlying the Concept? By making the effort to absorb the terminology and structure presented here, your musical foundation can be made stronger and the connections between you and your music more intelligent.


Having finished this work, Russell is completing another volume on related elements which he has been simultaneously developing over the last several decades. The link that once worked for has been taken down.

What is the aim of the Lydian Chromatic Concept? Cited in Bruno Nettl, Melinda Russell; eds. Simply organizztion, the basic building block of tonal gravity is the interval of the perfect fifth. Why is the Lydian Scale of paramount importance in this Concept?

The Lydian Chromatic Concept of Tonal Organization

Find it and copy it. Lydian Chromatic Concept of Tonal Organization published You must change scales each time, although you are still in the same tonal universe. Vertical, Horizontal, and Supra-Vertical. Maestro Russell’s singular world-renowned theory reveals an objective, illuminating vista of interrelated and boundless insights into what music is telling us about its own innate nature and reciprocal architectonics. In other projects Wikimedia Commons.

Who can most benefit by studying the Lydian Chromatic Concept? Tonal Gravity is measured vertically as well as horizontally. It matters for this reason: To do this requires a willingness to learn that emanates from self-motivation.

I would like to thank Maestro Russell, whose genius and perseverance created this tonal wonderland. He recorded Milestones with Coltrane on April 3,and both men felt liberated by the new harmonic philosophy.

To find out more about George Russell, click on this link to www. Beauty, truth and goodness took precedent above and beyond anything else.

The knowledge that appears in the two volumes of the Lydian Chromatic Concept bas been distilled very carefully to allow students of the Concept to adapt their own musical perspectives to this one.

What is Tonal Gravity? Later editions of the book are completely different than the early editions. The more robust, comprehensive and detailed current volume adds never before published depth and dimension through exhaustive examples ,ydian analysis, scales, background information and test examples for the student.



But the point is not to debate this issue. John Coltrane’s modal jazz is usually analyzed using Russell’s method. He wrote stuff like that and it was incredible. Its contribution is relevant in all stylistic genres of music and from all time periods. PRIME just indicates a unison, not exactly what we call an interval, but all the rest are known intervals that can occur.

In order for this to begin to work within you and within your music, it is strongly suggested that you give these ideas your complete openness and attention, and, even for brief moments, let go of your preconceptions of the theoretical foundations of Western music. It is with pride and pleasure that we present this fourth and final edition. Yes, the point you made made me realize that my answer lacked some specificity – specifically relating to use of perfect fifths.

To make that Maj 3 rdwe go from F to A. By using our site, you acknowledge that you have read and understand our Cookie PolicyPrivacy Policyand our Terms of Service.

George Russell’s book, The Lydian Chromatic Concept of Tonal Organizationfirst published inwas the first theoretical contribution to come from jazz, and was responsible for introducing modal improvisation which resulted in the seminal recording of Miles Davis’ “Kind of Blue.

Because the perfect fifth is the first interval introduced after the perfect octave, it is “thus established as the strongest harmonic interval” pg. He was an editorial assistant to Maestro Russell from until Russell’s death in